“After seeing the amazing digital models created in Adobe Substance 3D, we challenged ourselves with being able to 3D print them, identically, in the real world, bringing them to life,” said Pat Carey, Senior Vice President of Strategic Growth for Stratasys. As a result, end products will ultimately be more in line with the original design intent, leading to more requirements being fulfilled. They’ll be able to perform rapid design iterations in Substance 3D Painter and see and feel the changes in the real world without any added time or cost, ultimately streamlining the development workflow with printers such as the J55 Prime and J850 Pro.Īs an added bonus, customers that commission 3D printed parts will be able to touch and interact with their product prototypes in a manner that digital media just doesn’t permit. With the Substance-PolyJet interface now in place, artists, designers, and engineers will be able to more easily integrate 3D printed color, material, and finish (CMF) models into their product design processes. Parts 3D printed on Stratasys PolyJet printers.
Combined with 3D printing, the program can be used to create full-color product prototypes and package designs, which are prime applications of the Stratasys PolyJet platform. Substance 3D Painter, one of the four offerings, is colloquially known as the “Photoshop of 3D” as it’s particularly well-suited to adding photorealistic textures to 3D models. Since their launch, the tools have been used to create renderings for everything from games, films, and fashion to architecture and product design. Based on the original Substance set, which was acquired by Adobe back in 2019, the Substance 3D collection features four programs, together with an extensive library of readily available assets.
The Adobe Substance 3D suite is a collection of 3D design tools aimed at both professionals and hobbyists. Full-color shampoo packaging 3D printed using Adobe Substance 3D Painter.
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